|
CARLISLE. Jana, “The Unique Brushstrokes of Virginia Woolf’s Style in ‘Between the Acts’”, No.12:30-38
CLARKE, Stuart N.
“The Lord Chief Justice and the Woolfs”, No.14:12-24 (photograph p. 25)
“The 1901 Census”, No.14:54
Review of “Melymbrosia” (Cleis edn), No.13:57-61
Review of “The Spoken Word - Writers / Poets: Historic recordings of writers/poets born in the 19th century, British Library, NSA (National Sound Archive), 2 CDs”, No.14:68-70
CLARKE, Stuart N. (ed.), “Letters from Virginia [Woolf] - To: S. S. Koteliansky & Frances Cornford”, No.13:4-7
CLARKE, Stuart N., & BARKWAY, Stephen, Review of “Between the Acts” (Shakespeare Head edn), No.13:61-65
“The Complete Shorter Fiction”
LEVY, Heather, “The Olfactory Economy of Lesbian Desire in Virginia Woolf’s Shorter Fiction and ‘Between the Acts’”, No.13:18-26
SKRBIC, Nena, “‘The Bug Taking Note’: Virginia Woolf’s Surrealist Sketch, ‘A Fantasy upon a Gentleman’ (1937)”, No.14:36-42
SKRBIC, Nena, “‘Solid Objects’: A Portrait of the Artist as ‘an Immense Egoist’”, No.13:27-32
Cornford, Frances, “Letter from Virginia [Woolf]”, No.13:4
“Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, CURTIS, Vanessa, No.12:4-9
CROWTHER, Annie, Letter to the Editor: “Art that Shook the World: Virginia Woolf’s ‘Orlando’”, No.12:74
CULP, Lynda, Photograph: David Bradshaw, No.13:80
CURTIS, Vanessa
“Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, No.12:4-9
“Overture to ‘The Hours’”, No.13:38-40
Photograph: Burley, Cambridge Park, Twickenham, No.14:35
Review of “Tracing Echoes” (Bird), No.14:66-68
“Virginia Woolf and Burley”, No.14:50-52
“‘Virginia’s Women’ (interview with Vanessa Curtis) on ‘Woman’s Hour’”, WILKINSON, Sheila M., No.13:33-36
CURTIS, Vanessa, & BARKWAY, Stephen
Report: “Virginia in Cornwall, September 2003”, No.15:73-80
Report: “Virginia in London, September 2002”, No.12:67-73
DALGARNO, Emily, Letter to the Editor: “Virginia Woolf and the Visible World”, No.12:46
DALY, Theresa, Report: “‘Night and Day’: The Second Annual Study Day, 5 July 2003”, No.14:74 (photograph p. 75)
DELL, Marion
Review of “K: The Art of Love” (Hong Ying), No.14:61-63
Review of “Virginia Woolf’s Women” (Curtis), No.12:49-52
“Discovering Virginia” [‘How I Discovered Virginia Woolf’, No. 8], HUMM, Maggie, No.13:37
“Empire and Elveden: New Light on ‘The Waves’”, STALLA, Heidi, No.12:20-29
FOLEY, Mary Ellen, “A Personal Introduction to Modernism” [‘How I Discovered Virginia Woolf’, No. 7], No.12:39-41
“From Vita to Virginia” [‘How I Discovered Virginia Woolf’, No. 9], WILKINSON, Sheila M., No.14:43-44
Gertler, Mark, SKRBIC, Nena, “‘Solid Objects’: A Portrait of the Artist as ‘an Immense Egoist’”, No.13:27-32
GORDON, Lyndall, Review of “Who was Dr Jackson? Two Calcutta Families: 1830-1855” (Bennett), No.12:52-54
HALL, Sarah M.
Report: “VWSGB Reading Group Meeting, 15 March 2003: ‘Jacob’s Room’”, No.13:77-78
Report: “VWSGB Reading Group Meeting, 30 August 2003: ‘Between the Acts’”, No.15:82-84
Report: “VWSGB Reading Group Meeting, 4 October 2003: ‘Orlando’”, No.15:84-86
Review of “Carlyle’s House and Other Sketches” (ed. Bradshaw), No.14:55-57
Review of “Classic Serial: ‘Night and Day’, BBC Radio 4”, No.14:70-71
Review of “Julia Margaret Cameron: 19th Century Photographer of Genius” (exhibition), No.13:71-75
Review of “Psychoanalysis, Psychiatry and Modernist Literature” (Valentine), No.14:64-66
HELAL, Kathleen M., Review of “Women, Modernism and British Poetry, 1910-1939: Resisting Femininity” (Dowson), No.12:57-60
Hewart, Gordon, “The Lord Chief Justice and the Woolfs”, CLARKE, Stuart N., No.14:12-24 (photograph p. 25)
“The Hours” [film and book by Michael Cunningham]
BARKWAY, Stephen (ed.), “Virginia Woolf Today”, No.13:50-56
CURTIS, Vanessa, “Overture to ‘The Hours’”, No.13:38-40
LEVY, Heather, “Apothecary and Wild Child: What Lies Between the Acts of ‘The Hours’ and ‘Mrs. Dalloway’”, No.13:40-49
‘How I Discovered Virginia Woolf’
FOLEY, Mary Ellen, “A Personal Introduction to Modernism” [No. 7], No.12:39-41
HUMM, Maggie, “Discovering Virginia” [No. 8], No.13:37
WILKINSON, Sheila M., “From Vita to Virginia” [No. 9], No.14:43-44
HUMM, Maggie, “Discovering Virginia” [‘How I Discovered Virginia Woolf’, No. 8], No.13:37
Illustrations
Book-plate of Prince Frederick Duleep Singh, BARKWAY, Stephen, No.13:81
Drawings of Virginia Woolf from “The Book of Beauty”, BEATON, Cecil, No.15:47
Dust-wrapper of “The Divine Gift”, No.15:61
Map: “Monk’s House Garden, c. 1941”, SPARKS, Elisa Kay, No.12:19
Photograph: 38 South Street, BARKWAY, Stephen, No.15:27
Photograph: Artisans dwellings in Church Street, Chelsea, built by Caroline Stephen, BARKWAY, Stephen, No.14:78
Photograph: Bodnant from the front lawn, BARKWAY, Stephen, No.15:21
Photograph: Burley, Cambridge Park, Twickenham, CURTIS, Vanessa, No.14:35
Photograph: Christabel McLaren (c. 1928), No.15:3
Photograph: David Bradshaw, CULP, Lynda, No.13:80
Photograph: Delegates in the drawing-room of Talland House “Virginia in Cornwall”, 8 September 2003, WILKINSON, David, No.15:81
Photograph: Delegates outside 29 Fitzroy Square, “Virginia in London”, 2 September 2002, WILKINSON, David, No.12:66
Photograph: From the Ouse, looking towards Rodmell, South Downs Walk, 12 July 2003, NEWLAND, Lynne, No.14:73
Photograph: Lord Hewart Leaving a Judges’ Service, No.14:25
Photograph: Monks House garden from Leonard’s study, BARKWAY, Stephen, No.12:upper wrapper
Photograph: Participants at the Second Annual Study Day, No.14:75
Photograph: Porthminster Beach, St Ives, BARKWAY, Stephen, No.13:upper wrapper
Photograph: Roger Fry’s house, Durbins, Guildford, Surrey, BARKWAY, Stephen, No.14:upper wrapper
Photograph: Stephen Tomlin’s bust of Virginia Woolf, Monks House garden, BARKWAY, Stephen, Nos 12+:lower wrappers
Plan of Burley, No.14:53
Jackson, William, “A Letter from Virginia [Woolf]”, No.14:4-5
“Jacob’s Room”
BARBER, Keri, “Virginia Woolf’s Changing Vision of the Soldier from Jacob Flanders to North Pargiter”, No.14:26-34
HALL, Sarah M., Report: “VWSGB Reading Group Meeting, 15 March 2003: ‘Jacob’s Room’”, No.13:77-78
Keyes, Sidney, “Notes and Queries”, MACKENZIE, Doug, No.14:76-78
Koteliansky, S. S., “Letters from Virginia [Woolf]”, No.13:5-6
“Leonard’s Vegetable Empire: A History of the Garden at Monks House”, SPARKS, Elisa Kay, No.12:10-19
Letters from Virginia [Woolf]
To: Frances Cornford (ed. + notes by Stuart N. Clarke), No.13:4-7
To: William Jackson (ed. + notes by Stephen Barkway), No.14:4-5
To: S. S. Koteliansky (ed. + notes by Stuart N. Clarke), No.13:4-7
To: Christabel McLaren [Lady Aberonway] (ed. + notes by Stephen Barkway), No.15:22-63
Letters to the Editor
“Art that Shook the World: Virginia Woolf’s ‘Orlando’”, CROWTHER, Annie, No.12:74
“Virginia Woolf and the Visible World”, DALGARNO, Emily, No.12:46
LEVY, Heather
“Apothecary and Wild Child: What Lies Between the Acts of ‘The Hours’ and ‘Mrs. Dalloway’”, No.13:40-49
“The Olfactory Economy of Lesbian Desire in Virginia Woolf’s Shorter Fiction and ‘Between the Acts’”, No.13:18-26
MARSALEIX, Nadège
“Politics of the Sartorial Sign: Power and Representation”, No.14:7-11
Review of “The New Woman in Fiction and in Fact” (ed. Richardson & Willis), No.13:70-71
MCLAREN, Christabel, “Letters to Christabel McLaren” & Appendices A, B, & C, BARKWAY, Stephen (ed.), No.15:22-64 (includes letters and documents from Christabel; dust-wrapper of “The Divine Gift”, p. 61)
McLaren, Christabel
“Letters [from Virginia Woolf]”, No.15:22-63
“‘What tiara did you wear?’: Lady Aberconway and Mrs Woolf”, BARKWAY, Stephen (ed.), No.15:4-21 (photograph p. 3)
MEPHAM, John, Review of “The Open Book” (Jensen), No.13:66-69
MOORE, Grace, “Virginia Woolf and the Remaking of Victorian Britain”, No.13:8-17
Morris, May, “Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, CURTIS, Vanessa, No.12:4-9
“Mrs. Dalloway” [see also “Hours, The”]
BARBER, Keri, “Virginia Woolf’s Changing Vision of the Soldier from Jacob Flanders to North Pargiter”, No.14:26-34
LEVY, Heather, “Apothecary and Wild Child: What Lies Between the Acts of ‘The Hours’ and ‘Mrs. Dalloway’”, No.13:40-49
Nevill, Lady Dorothy, “Notes and Queries”, BARKWAY, Stephen, No.13:80-81
NEWLAND, Lynne
Report: “South Downs Walk, 12 July 2003”, No.14:72-73 (inc. photograph)
Review of “Eminent Victorians: A One-Act Drawing Room Comedy with Songs”, No.12:64-66
“Night and Day”
DALY, Theresa, Report: “‘Night and Day’: The Second Annual Study Day, 5 July 2003”, No.14:74
HALL, Sarah M., Review of “Classic Serial: ‘Night and Day’, BBC Radio 4”, No.14:70-71
“The 1901 Census”, CLARKE, Stuart N., No.14:54
“Notes and Queries”
“Lady Dorothy Nevill”, BARKWAY, Stephen, No.13:80-81
“Sidney Keyes and Virginia Woolf”, MACKENZIE, Doug, No.14:76-78
“The Olfactory Economy of Lesbian Desire in Virginia Woolf’s Shorter Fiction and ‘Between the Acts’”, LEVY, Heather, No.13:18-26
“Orlando”
HALL, Sarah M., Report: “VWSGB Reading Group Meeting, 4 October 2003: ‘Orlando’”, No.15:84-86
MOORE, Grace, “Virginia Woolf and the Remaking of Victorian Britain”, No.13:8-17
“Overture to ‘The Hours’”, CURTIS, Vanessa, No.13:38-40
“A Personal Introduction to Modernism” [‘How I Discovered Virginia Woolf’, No. 7], FOLEY, Mary Ellen, No.12:39-41
POAL, Rebeca, Review of “Vita Sackville-West: Selected Writings” (ed. Caws), No.12:54-57
Reviews [see also Virginia Woolf Society of Great Britain: Reports]
“Between the Acts” (Shakespeare Head edn), CLARKE, Stuart N., & BARKWAY, Stephen, No.13:61-65
“Carlyle’s House and Other Sketches” (ed. Bradshaw), HALL, Sarah M., No.14:55-57”Classic Women’s Short Stories”, SKRBIC, Nena, No.12:60-61
“Classic Serial: ‘Night and Day’, BBC Radio 4”, HALL, Sarah M., No.14:70-71
“Death in the Life and Novels of Virginia Woolf” (Newman), BARKWAY, Stephen, No.14:57-58
“Eminent Victorians: A One-Act Drawing Room Comedy with Songs”, NEWLAND, Lynne, No.12:64-66
“Julia Margaret Cameron: 19th Century Photographer of Genius” (exhibition), HALL, Sarah M., No.13:71-75
“K: The Art of Love” (Hong Ying), DELL, Marion, No.14:61-63
“Melymbrosia” (Cleis edn), CLARKE, Stuart N., No.13:57-61
“Moments of Being” (Pimlico edn), BARKWAY, Stephen, No.12:48-49
“The New Woman in Fiction and in Fact” (ed. Richardson & Willis), MARSALEIX, Nadège, No.13:70-71
“On Being Ill” (Paris Press edn), BARKWAY, Stephen, No.12:63-64
“The Open Book” (Jensen), MEPHAM, John, No.13:66-69
“‘Orlando’ ballet”, THOMPSON, Jenny, No.12:61-62
“Psychoanalysis, Psychiatry and Modernist Literature” (Valentine), HALL, Sarah M., No.14:64-66
“The Spoken Word - Writers / Poets: Historic recordings of writers/poets born in the 19th century, British Library, NSA (National Sound Archive), 2 CDs”, CLARKE, Stuart N., No.14:68-70
“Tracing Echoes” (Bird), CURTIS, Vanessa, No.14:66-68
“Virginia Woolf and Logan Pearsall Smith” (Porter), BARKWAY, Stephen, No.14:60-61
“Virginia Woolf’s Wise and Witty Aunt: A Biographical Sketch of Caroline Emelia Stephen” (Raby), BARKWAY, Stephen, No.14:58-60
“Virginia Woolf’s Women” (Curtis), DELL, Marion, No.12:49-52
“Vita Sackville-West: Selected Writings” (ed. Caws), POAL, Rebeca, No.12:54-57
“Who was Dr Jackson? Two Calcutta Families: 1830-1855” (Bennett), GORDON, Lyndall, No.12:52-54
“Women, Modernism and British Poetry, 1910-1939: Resisting Femininity” (Dowson), HELAL, Kathleen M., No.12:57-60
SKRBIC, Nena
“‘The Bug Taking Note’: Virginia Woolf’s Surrealist Sketch, ‘A Fantasy upon a Gentleman’ (1937)”, No.14:36-42
Review of “Classic Women’s Short Stories”, No.12:60-61
“‘Solid Objects’: A Portrait of the Artist as ‘an Immense Egoist’”, No.13:27-32
“‘Solid Objects’: A Portrait of the Artist as ‘an Immense Egoist’”, SKRBIC, Nena, No.13:27-32
SPARKS, Elisa Kay, “Leonard’s Vegetable Empire: A History of the Garden at Monks House”, No.12:10-19
STALLA, Heidi, “Empire and Elveden: New Light on ‘The Waves’”, No.12:20-29
Stephen Family [see also Biography]
“The 1901 Census”, CLARKE, Stuart N., No.14:54
Strachey, Lytton, BARKWAY, Stephen (ed.), “Letters to Christabel McLaren”, Appendix C, No.15:67-68
Swanwick, Helena, “Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, CURTIS, Vanessa, No.12:4-9
THOMPSON, Jenny, Review of “‘Orlando’ ballet”, No.12:61-62
“Three Guineas”
CLARKE, Stuart N., “The Lord Chief Justice and the Woolfs”, No.14:12-24
MARSALEIX, Nadège, “Politics of the Sartorial Sign: Power and Representation”, No.14:7-11
“To the Lighthouse”, MOORE, Grace, “Virginia Woolf and the Remaking of Victorian Britain”, No.13:8-17
“Two Weddings: One Church”, WILKINSON, Sheila M., No.12:47
“The Unique Brushstrokes of Virginia Woolf’s Style in ‘Between the Acts’”, CARLISLE, Jana, No.12:30-38
“Virginia Woolf and Burley”, CURTIS, Vanessa, No.14:50-52 (photograph p. 35; plan p. 53)
“Virginia Woolf and the Remaking of Victorian Britain”, MOORE, Grace, No.13:8-17
Virginia Woolf Society of Great Britain
Annual General Meetings: Fifth, No.13:82
Report: “Fourth Annual Virginia Woolf Birthday Lecture, by David Bradshaw”, BARKWAY, Stephen, No.13:79-80
Report: “‘Night and Day’: The Second Annual Study Day, 5 July 2003”, DALY, Theresa, No.14:74 (photograph p. 75)
Report: “South Downs Walk, 12 July 2003”, NEWLAND, Lynne, No.14:72-73
Report: “Virginia in Cornwall, September 2003”, CURTIS, Vanessa, BARKWAY, Stephen, & WILKINSON, Sheila M., No.15:73-81
Report: “Virginia in London, September 2002”, CURTIS, Vanessa, BARKWAY, Stephen, & WILKINSON, Sheila M., No.12:67-73
“Virginia Woolf Memorial Appeal”, BARKWAY, Stephen, No.12:inside upper wrapper; No.13:76-77; No.14:75; No.15:87
Report: “VWSGB Reading Group Meeting, 15 March 2003: ‘Jacob’s Room’”, HALL, Sarah M., No.13:77-78
Report: “VWSGB Reading Group Meeting, 30 August 2003: ‘Between the Acts’”, HALL, Sarah M., No.15:82-84
Report: “VWSGB Reading Group Meeting, 4 October 2003: ‘Orlando’”, HALL, Sarah M., No.15:84-86
“Virginia Woolf Today”
BARKWAY, Stephen (ed.), No.12:42-46; No.13:50-56; No.14:45-49; No.15:70-72
“Virginia Woolf’s Changing Vision of the Soldier from Jacob Flanders to North Pargiter”, BARBER, Keri, No.14:26-34
“‘Virginia’s Women’ (interview with Vanessa Curtis) on ‘Woman’s Hour’”, WILKINSON, Sheila M., No.13:33-36
“The Voyage Out”, CLARKE, Stuart N., Review of “Melymbrosia” (Cleis edn), No.13:57-61
“The Waves”, STALLA, Heidi, “Empire and Elveden: New Light on ‘The Waves’”, No.12:20-29
“‘What tiara did you wear?’: Lady Aberconway and Mrs Woolf”, BARKWAY, Stephen (ed.), No.15:4-21
WILKINSON, David
Photograph: Delegates in the drawing-room of Talland House “Virginia in Cornwall”, 8 September 2003, No.15:81
Photograph: Delegates outside 29 Fitzroy Square, “Virginia in London”, 2 September 2002, No.12:66
WILKINSON, Sheila M.
Acknowledgements to “Virginia in Cornwall”, January 2004, No.15:80-81
Acknowledgements to “Virginia in London”, September 2002, No.12:73
“From Vita to Virginia” [‘How I Discovered Virginia Woolf’, No. 9], No.14:43-44
“Two Weddings: One Church”, No.12:47
“‘Virginia’s Women’ (interview with Vanessa Curtis) on ‘Woman’s Hour’”, No.13:33-36
WOOLF, Leonard, “Letters to Christabel McLaren” & Appendix A, BARKWAY, Stephen (ed.), No.15:22-64 (includes letters from Leonard)
Woolf, Leonard
“Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, CURTIS, Vanessa, No.12:4-9
“Leonard’s Vegetable Empire: A History of the Garden at Monks House”, SPARKS, Elisa Kay, No.12:10-19
“The Lord Chief Justice and the Woolfs”, CLARKE, Stuart N., No.14:12-24
WOOLF, Virginia
“Correspondence between Helena Swanwick, May Morris, and Leonard and Virginia Woolf”, CURTIS, Vanessa, No.12:4-9 (previously unpublished letter to Helena Swanwick, p. 8)
“A Letter to William Jackson”, No.14:4-5
“Letters to S. S. Koteliansky & Frances Cornford”, No.13:4-6
“Letters to Christabel McLaren”, No.15:22-63
“The Years”
BARBER, Keri, “Virginia Woolf’s Changing Vision of the Soldier from Jacob Flanders to North Pargiter”, No.14:26-34
MARSALEIX, Nadège, “Politics of the Sartorial Sign: Power and Representation”, No.14:7-11
|
