VIRGINIA WOOLF: CONTRIBUTIONS TO ANTHOLOGIES, ETC., IN ENGLISH
Not included (as a general rule):
1. Items listed in B. J. Kirkpatrick and Stuart N. Clarke,
A Bibliography of Virginia Woolf, 4th ed. (Oxford Clarendon Press, 1997), specifically
Section B,
Section E, and
Section F (but check Index)
2. Quotations from letters and manuscripts advertised for sale in catalogues
3. Quotations from letters and manuscripts (e.g., Extracts from “Reminiscences of Julian” in Peter Stansky & William Abrahams, “Journey to the Frontier - Julian Bell & John Cornford: their lives and the 1930s” [London: Constable, 1966], pp.16, 18, 279, 399 [see also p. 392]; formerly KpB13
a)
4. Short quotations (e.g., quotation from “The Waves”, Philip J. Davis, “The Mathematics of Matrices: A First Book of Matrix Theory and Linear Algebra” [Boston, (etc.): Ginn and Company, 2nd ed., 1965], on prelim.)
Items marked with an asterisk (*) have not been examined.
Items marked with a dagger (†) indicate first publication in book form (rather than in a journal or as a pamphlet).
Items marked XBL are not held by the British Library
Last updated 26 February 2003
TURNER, Walter J. (ed.)
“George Eliot (1819-1880)” [KpC216.1] in “Great Names: Being an Anthology of English & American Literature from Chaucer to Francis Thompson ... The Whole Edited ... for the Nonesuch Press & here First Published by Special Arrangement"†
NY: Dial Press, 1926, p. 224
BROWN, Sharon (ed.)
“The Patron and the Crocus” in “Essays of Our Times” XBL*
Chicago: Scott, Foresman & Co., 1928
PRIESTLEY, J. B. (intro.)
“An Unwritten Novel” in “The Mercury Story Book”
London: Longmans, Green and Co., 1929, pp. 377-88
MIRRIELEES, E. R. (ed.)
“The New Dress” [KpC283] in “Significant Contemporary Stories" XBL*†
NY: Doubleday, Doran & Co., 1929
D'OYLEY, Elizabeth (ed.)
“Orlando Beneath the Oak Tree” (from Chapter I of “Orlando”: "He was careful to avoid meeting anyone. ... all the fertility and amorous activity of a summer's evening were woven web-like about his body." [Hogarth Press, 1928, pp. 19-21) in “Modern Prose”
London: Edward Arnold, 1935 reprint (1930), pp. 102-3
PUTNAM, Samuel Whitehall, et al. (eds)
Excerpt from “To the Lighthouse” ["But the dead, thought Lily ... The tears ran down her face." (Hogarth Press, 1927, pp. 269-77)], “courtesy of the Author” (p. 577) & Harcourt, Brace, in “The European Caravan: An Anthology of the New Spirit in European Literature, Part 1: France, Spain, England and Ireland . . .”
NY: Brewer, Warren & Putnam, 1931, pp. 572-7
RATCLIFF, A. J. J. (ed.)
“The Great Thames Frost” (from Chapter I of “Orlando”: "The Great Frost was, historians tell us ... a broken pot and a little straw." [Hogarth Press, 1928, pp. 33-61) in “Prose of Our Time”
London: Thomas Nelson & Sons Ltd, 1931, pp. 91-100
READ, Herbert, & Bonamy Dobrée (ed.)
"Mr. Ramsay" (from "To the Lighthouse": "'Oh but,' said Lily, 'think of his work!' ..."the flock of starlings which Jasper had routed with his gun had settled on the tops of the elm trees." [Hogarth Press, 1927, pp. 40-4) in "The London Book of English Prose"
London: Eyre and Spottiswoode, 1931, pp. 69-72
“Mr. Bennett and Mrs. Brown” in “The London Omnibus” XBL*
NY: The Literary Guild, 1932
Contains a paragraph on Virginia Woolf in the bibliography.
JONES, Phyllis (ed. + intro.)
"Modern Fiction" in "English Critical Essays: Twentieth Century"
London: OUP, Humphrey Milford (World’s Classics CCCCV), 1933,
pp. 388-99
M[ILFORD], H[umphrey] S. (ed.)
"Rambling Round Evelyn" & "The Patron and the Crocus" in “Selected Modern English Essays. Second Series”
London: Humphrey S. Milford, OUP (World’s Classics CCCCVI), 1932, pp. 330-42
MCCALLUM, James Dow (ed.)
“How Should One Read a Book?” in “The College Omnibus”
NY: Harcourt, Brace and Company, 1933, pp. 202-9
MACAULEY, Rose (ed.)
"Carnival" ("London enjoyed a carnival of the utmost brilliancy. [...] Frozen roses fell in showers ... to the fine music of flute and trumpet the courtiers danced." [“Orlando”, Hogarth Press, 1928, pp. 34-6]) in “The Minor Pleasures of Life”
London: Victor Gollancz, 1934, pp. 323-4
MCCALLUM, J. D. (Ed.)
“Beau Brummell” in “College Omnibus” XBL*
1935, pp. 185-90
SCARBOROUGH, Dorothy E. (ed.)
Short story in “Selected Short Stories of Today” XBL*
NY: Farrer & Rinehart, 1935
Excerpts ("When the letters begin ... cultivate the Graces." & "Certainly there is much to be said ... said no more.") from "Lord Chesterfield's Letters to His Son" in "English Essays of To-day"
London & NY: OUP for the English Association, 1936, pp. 211-14 (biographical note on VW, p. 230)
CONKLIN, Groff (ed.)
"Genius" [KpC279] in “The New Republic Anthology, 1915 : 1935” †
NY: Dodge Publishing Company, 1936, pp. 243-8
WEEKS, Edward (ed.)
“Jacob’s Room” in “Great Short Novels: An Anthology”
Garden City, NY: Doubleday Doran, 1941, pp. 721-845 (introduction pp. 718-20)
ASWELL, Mary Louise (ed.)
“Lappin and Lapinova” in “It’s a Woman’s World: A Collection of Stories from Harper’s Bazaar”
NY: McGraw-Hill Book Company Inc., 1944, pp. 41-9
FISCHER, Marjorie, & Rolfe Humphries (eds)
“A Haunted House” in “Pause to Wonder” XBL*
NY: Julian Messner, Inc., 1944
WAGENKNECHT, E. C. (ed.)
“The Mark on the Wall” in “The Fireside Book of Romance” XBL*
1944
HAVIGHURST, Walter E. (ed.)
“The New Dress” in “Masters of the Modern Short Story” XBL*
NY: Harcourt, Brace & Co., 1945
?MCCALLUM, J. D. (Ed.)
“Beau Brummell” in “College Survey of English Literature: Shorter Edition” XBL*
1946
Also short biography of Virginia Woolf
AUERBACH, Erich
"Der braune Strumpf [The Brown Stocking]" (includes extract from "To the Lighthouse" in English: "'And even if it isn' t fine tomorrow' ... 'Let us find another picture to cut out,' she said." [Harcourt, 1981, pp. 26-30]) in "Mimesis: Dargestellte Wirklichkeit in der Abendländischen Literatur [The Representation of Reality in Western Literature]"
Berne, Switzerland: A. Francke Ag. Verlag, 1946, pp. 467-69 (English translation of accompanying text published in 1953: q.v.)
SCOTT, Jeremy (ed.)
"The Lady in the Looking-Glass: A Reflection" in "The Mandrake Root: An Anthology of Fantastic Tales"
London: Jarrolds Publishers (London) Ltd., 1946, pp. 97-100
STEAD, Christine, & William Blake (eds)
“The Legacy” in “Modern Women in Love: Sixty Twentieth-Century Masterpieces of Fiction” XBL*
Garden City, NY: Garden City Publishing Company, 1947
WATT, Homer A., & Oscar Cargill (eds)
“The Art of Biography” in “College Reader: Biography and Exposition”
NY: Prentice-Hall, 1948, pp. 365-70
PRITCHETT, V. S. (ed.)
“Gas at Abbotsford” in “Turnstile One: A Literary Miscellany from the New Statesman and Nation”
London: Turnstile Press, 1948, pp. 187-91
LOW, D. M. (ed.)
"Waiting for Royalty" & "London and Life" ["A small crowd meanwhile had gathered ... in the morning to visit his mother." & "For having lived in Westminister - how many years now? ... London, this moment of June" (“Mrs. Dalloway”, Hogarth Press, 1990, pp. 15 & 2)] in “London is London: A Selection of Prose & Verse”
London: Chatto & Windus, 1949, pp. 271 & 279
HEILMAN, Robert B. (ed.)
“The New Dress” in “Modern Short Stories” XBL*
NY: Harcourt, Brace & Co., 1950
NEIDER, Charles (ed.)
“The Duchess and the Jeweller” in “Great Short Stories: Fiction from the Masters of World Literature”
NY: Carroll & Graf, 1995, pp.496-502 (1st ed. 1989 XBL*; ?1st published [NY: Holt, Rinehart & Winston], 1950 XBL*)
HORDER, Mervyn (compiler)
"The Cambridge Sky" ["They say the sky is the same everywhere. ... now mounted steps, now descended, all very orderly." ("Jacob's Room", Harvest/Harcourt Brace, 1978, pp. 31-32)] in “In Praise of Cambridge: An Anthology for Friends”
London: Frederick Muller, 1952 (illustrations by Gwen Raverat, pp. 23, 53), pp. 16-17
CONNOLLY, Cyril (ed.)
“Between the Acts” in “Great English Short Novels”
NY: Dial Press, 1953, pp. 759-879 (introduction pp. 755-7)
NYE, Russel (ed.)
“Lord Chesterfield’s Letters to his Son” in “Modern Essays” XBL*
Chicago: Scott, Foresman & Co., 1953
Also contains a paragraph on Virginia Woolf
AUERBACH, Erich
Section 5 from "The Window" in "To the Lighthouse" in "Mimesis: The Representation of Reality in Western Literature"
Princeton University Press, 1974 (1st published in 1953; first published in German in 1946: q.v.), pp. 525-28; passage discussed on pp. 528-53 (translated by Willard R. Trask); the whole forming chapter 20, entitled "The Brown Stocking", and anthologised several times subsequently
PETERSON, Houston (ed.)
“How Should One Read a Book?” in “Great Essays” XBL*
NY: Pocket Books, Inc., 1954
Also contains a short biography on Virginia Woolf
EDES, Mary Elizabeth, & Dudley Frasier (eds)
"1907" from "The Years" in "The Age of Extravagance: An Edwardian Reader"
London: Weidenfeld & Nicolson, 1955, pp. 147-60 (1st published in NY by Rinehart, 1954 - XBL*)
SHAW, Harry (ed.)
"The Novels of Thomas Hardy" & "Miss Ormerod" in “A Collection of Readings for Writers: Book Three of a Complete Course in Freshman English”
NY: Harper, 1955 (4th ed.), pp. 306-14 & 338-44
RUSSELL, Leonard (ed.)
“Flush: A Biography” in “The Russell Reader”
London: Cassell & Co. Ltd., 1956, pp. 13-83 (Editor’s Note pp. 10-11), with illustrations by Leonard Rosoman
Formerly KpA19d
MCCLENNAN, Joshua (ed.)
“The New Dress” in “Masters and Masterpieces of the Short Story” XBL*
NY: Henry Holt & Co., 1957
BROWN, Douglas (ed.)
"Joseph Conrad" in "A Book of Modern Prose"
London: George G. Harrap, 1966 reprint (first published 1957), pp. 208-17 (Editor's comments on VW & on the essay, pp. 207-08 & 217).
ALLOTT, Miriam (ed.)
Extracts from "Modern Fiction", "A Writer's Diary" (entries for 28 May [1929], 30 April & 3 (& 5) September [1926], & 7 February [1931]), "The Novels of E. M. Forster", & "Mr. Bennett and Mrs. Brown" in "Novelists on the Novel"
London: Routledge & Kegan Paul (also published by Columbia University Press, N.Y.*), 1980 reprint (first published 1959), pp.76-77, 142-43, 152-53, 157-58, 236, 290.
NATHAN, Monique (translated by Herma Briffault)
“Virginia Woolf”
NY: Grove Press Inc., 1961 (see also KpD34), pp. 5-7, 145-9, 152 excerpts from “Orlando”; pp. [19]-20, [24], 48, 50, 52, 54-5, [60], 64-6, 68, 70, 82, 103, 134, 136-9 excerpts from “A Writer's Diary”; pp. [54], 56, 57, 92-3 quotations from letters, [27? March 1941] to John Lehmann, [18? March 1941] to Leonard Woolf, [8 August 1931] to V. Sackville-West, 9 October [1927] to V. Sackville-West, respectively; 59-[60] excerpt from “Middlebrow”; pp. 153, 155-7 excerpt from “Time Passes” (“To the Lighthouse”); pp. 159-65 “The Duchess and the Jeweller”; pp. 167-8, 170-3 “Professions for Women”; pp. 48, 175-8, 180-3, 186-8 excerpts from “The Waves”
CLIFFORD, James L. (ed.)
?“The Art of Biography” in “Biography as an Art: Selected Criticism, 1560-1960” XBL - missing!*
London: OUP, 1962
WARD, A. C. (ed.)
"Portrait of an Actress" ["Ellen Terry"] in "Twentieth Century Prose, 1940-1960"
London: Longmans, 1962, pp. 32-9 (intro. p. 31; notes pp. 285-86)
ABRAMS, M. H. (general ed.)
"The Mark on the Wall", in "The Norton Anthology of English Literature"
NY: W. W. Norton, 1962, Vol. II, pp. 1598-1604 (intro. pp. 1597-98) (see also 5th ed., 1986, infra)
COSTAIN, Thomas B. (ed.)
“The Legacy” in “Read with Me” XBL*
NY: Doubleday, 1965
PIZER, Laurette (ed.)
"Lappin and Lapinova" in "Stories Strange and Sinister: Tales of the Uncanny, Bizarre and Grotesque" [sub-title on upper wrapper only]
London: Panther, 1965, pp. 64-76
HALL, James B. & Elizabeth C. (eds)
“The Duchess and the Jeweller” in “The Realm of Fiction: 74 Short Stories”
NY: McGraw Hill, 1977 (3rd ed.), pp. 306-11 (?1st pub'd 1965 XBL*)
DOLLEY, Christopher (ed.)
“Kew Gardens” in “The Penguin Book of English Short Stories”
London: Penguin Books, 1967, pp. 201-07
LEVIN, Gerald (ed.)
“Moments of Being: ‘Slater’s Pins Have No Points” in “The Short Story: An Inductive Approach” XBL*
NY: Harcourt, Brace & Co., 1967
HARTMAN, Carl (ed.)
“The New Dress” in “Fiction as Process” XBL*
NY: Dodd, Mead & Co., 1968
HUBERMAN, Edward & Elizabeth (eds)
“Kew Gardens” in “Great British Short Stories”
NY: Bantam Books, 1968, pp. 460-6
VOGLER, Thomas A. (ed.)
[Excerpt from] "‘Jane Eyre’ and ‘Wuthering Heights” in “Twentieth Century Intepretations of Wuthering Heights: A Collection of Critical Essays”
Englewood Cliffs, NJ: Prentice-Hall Inc., 1968, pp. 101-2
BOSTETTER, Edward E. (ed.)
Most of the Diary entry ("In the absence of human interest ... a pleasure I really don't know.") for 8 [9] August 1918 in "Twentieth Century Interpretations of [Byron's] Don Juan"
Englewood Cliffs, NJ: Prentice-Hall, 1969 (1st published 1968?), p. 94
BLOOM, Edward Alan (ed.)
“The String Quartet” in “The Variety of Fiction: A Critical Anthology” XBL*
1969
FELDBERG, Katherine (ed.)
"The Novels of Turgenev" in "Of Men and Manners: The Englishman and his World: A Collection of Writings that Give Brilliant Insight into the English Personality and Way of Life"
Coral Gables, FL: University of Miami Press, 1970 (1st published in German in 1965), pp. 98-104 (note on VW, pp. 239-40)
BEJA, Morris (ed.)
“Leslie Stephen”, excerpts from “A Writer’s Diary”, & “Modern Fiction” in “Virginia Woolf: ‘To the Lighthouse’ - A Casebook”
London: Macmillan, 1970, pp. 50-5, 56-65, & 66-73
BRADBURY, Malcolm (ed.)
"A Failure?" ("Morgan said he felt 'This is a failure,' as he finished the Passage to India." ["A Writer's Diary", 13 September 1926]) & “From 'The Novels of E. M. Forster” ("[N]one of the books before
Howards End and
A Passage to India altogether drew upon the full range of Mr Forster's powers. ... What will he write next?") in “E. M. Forster, ‘A Passage to India’: A Casebook”
London: Macmillan, 1970, pp. 43 & 73-6
CARSON, Herbert Lee (ed.)
“A Haunted House” in “The Impact of Fiction” XBL*
1970
LEWIS, Thomas S. W. (ed.)
“Modern Fiction” & Introduction to “Mrs. Dalloway” in “Virginia Woolf: A Collection of Criticism”
NY [etc.]: McGraw-Hill Book Company, 1970, pp. 8-14 & 35-7
DRAPER, R. P. (ed.)
No. 40 "Postscript or Prelude" (on "The Lost Girl")* in "D. H. Lawrence: The Critical Heritage"
London, Boston & Henley: Routledge & Kegan Paul, 1979 (1st published in 1971)
pp. 141-43 (Kp4C210)
PHILLIPS, Robert (ed.)
“Lewis Carroll” in “Aspects of Alice: Lewis Carroll’s Dreamchild as seen through the Critics’ Looking-Glasses 1865-1971”
Harmondsworth, Middx: Penguin Books, 1974, pp. 78-80 (first published in the USA in 1971; NY: Vanguard Press, 1972; London: Victor Gollancz, 1972)
DOLLEY, Christopher (ed.)
“The Mark on the Wall” in “The Second Penguin Book of English Short Stories”
Harmondsworth, Middx: Penguin Books, 1972, pp. 142-9
WILLARD, Barbara (ed.)
Excerpts from "A Writer's Diary" (27 March 1919, 18 August 1921, 22 June and 20 November 1927, 20 August and 2 December 1930, 17 August and 5 & 9 October 1931, 31 May 1933, 20 February and 12 March 1937, 7 & 9 August and 6 September 1939, 13 May 1940, and 8 March 1941) in "'I . . .': An Anthology of Diarists"
London: Chatto & Windus, 1972, pp. 145-51 (note on VW, p. 144); facsimile of VW's leaf dated "Sunday August 6th" [1899] on lower dust-jacket (see "A Passionate Apprentice", pp. 137-38)
COUSTILLAS, Pierre, & Colin Partridge (eds)
No. 191 From "The Novels of George Gissing"* in "Gissing: The Critical Heritage"
London & Boston: Routledge & Kegan Paul, 1972
pp. 529-34 (Kp4C48) †
GARDNER, Philip (ed.)
Review of “A Room with a View”, “The Novels of E. M. Forster”, & “The Art of Fiction” in “E. M. Forster: The Critical Heritage”
London: Routledge & Kegan Paul, 1973, pp. 104-5, 319-28, & 332-6
SCHNEIDERMAN, Beth Kline (ed.)
“Lappin and Lapinova” in “By and About Women” XBL*
NY: Harcourt, Brace, Jovanovich, 1973
MOFFAT, Mary Jane, & Charlotte Painter (eds)
Excerpts from "A Writer's Diary" in "Revelations: Diaries of Women" XBL*
NY: Random House, 1974, pp. 225-30
ROSENBAUM, S. P. (ed.)
“Julian Bell”, excerpts from “Roger Fry”, & Foreword † [KpB10] to “Recent Paintings by Vanessa Bell” in “The Bloomsbury Group: A Collection of Memoirs, Commentary and Criticism”
London: Croom Helm, 1975, pp. 44-8, 128-40, & 170-3
WATT, Donald (ed.)
No. 1 From review of "The Defeat of Youth" (
TLS 10/10/1918, p. 477: Kp4 C125)† & No. 2 From review of "Limbo" (
TLS, 5/2/1920, p. 83: Kp4 C184) in "Aldous Huxley: The Critical Heritage"
London & NY: Routledge & Kegan Paul, 1985 pb (first published in 1975), pp. 39-42
MAJUMDAR, Robin, & Allen McLaurin (eds.)
Excerpts from letters, 28 February 1916 & 9[10?] October 1922 to Lytton Strachey, “Mr. Bennett and Mrs. Brown"† [KpC240], & excerpt from entry, 18 June 1925, “A Writer’s Diary” in “Virginia Woolf: The Critical Heritage”
London: Routledge & Kegan Paul, 1975, pp. 65 & 94, 115-19, & 168-9
DISCH, Thomas M., & Charles Naylor (eds)
"Solid Objects" in "Strangeness" XBL*
NY: Avon Books, 1978
HART-DAVIS, Rupert
“Miss Janet Case: Classical Scholar” [KpC351] in “The Arms of Time: A Memoir"†
London: Hamish Hamilton, 1979, pp. 149-50
GERIN, Winifred
"Lady Ritchie" [KpC142] in "Anne Thackeray Ritchie: A Biography"†
Oxford: Oxford University Press, 1981, pp. 279-84.
HEPBURN, James (ed.)
No. 113 "Character in Fiction"* in "Arnold Bennett: The Critical Heritage"
London, Boston & Henley: Routledge & Kegan Paul, 1981
pp. 443-60 (Kp4C251); Intro., pp. 442-43
EMELJANOW, Victor (ed.)
No. 83 From review of "The Cherry Orchard"* in "Chekhov: The Critical Heritage"
London, Boston & Henley: Routledge & Kegan Paul, 1981
pp.197-200 (Kp4C201)†
MARCUS, Jane (ed.)
“Caroline Emelia Stephen” [KpC32.1] in “New Feminist Essays on Virginia Woolf" †
Lincoln, NE: University of Nebraska Press, 1981, pp. 28-30
MEYERS, Jeffrey (ed.)
No. 16 From "An Essay in Criticism" (on "Men Without Women")* in "Hemingway: The Critical Heritage"
London, Boston & Henley: Routledge & Kegan Paul, 1982
pp.101-07 (Kp4C287)
KEYNES, Milo (ed.)
"'Twelfth Night' at the Old Vic" in "Lydia Lopokova"
London: Weidenfeld and Nicolson, 1983, pp. 219-22
ROSS, Josephine (ed.)
“Indiscretions” in Ch. 8 (“Books and Writers”) in “The Vogue Bedside Book”
London: Vermilion (Hutchinson), 1984, pp. 205-7
DESALVO, Louise, & Mitchell A. Leaska (eds)
Letters and quotations from letters to V. Sackville-West in "The Letters of Vita Sackville-West to Virginia Woolf"
London, [etc.]: Hutchinson, 1984, passim
GILBERT, Sandra M., & Susan Gubar (eds)
"'Jane Eyre' and 'Wuthering Heights'", "22 Hyde Park Gate" (from "Moments of Being"), "A Woman's College from Outside", "The New Dress", "Moments of Being: 'Slater's Pins Have No Points'", "Shakespeare's Sister" (from Chapters 3 & 6 of "A Room of One's Own": "It was disappointing ... The desire to be veiled still possesses them. | I told ... you Shakespeare had a sister. ... is worthwhile" [Harcourt Brace, 1981, pp. 41-50 and 113-14]), "Professions for Women" in "The Norton Anthology of Literature by Women: The Tradition in English"
NY: W. W. Norton, 1985, pp. 1345-88 (intro. pp. 1339-44)
ABRAMS, M. H. (ed.)
"The Mark on the Wall", "Modern Fiction", "Shakespeare's Sister" (from Chapters 3 & 6 of "A Room of One's Own": "It was disappointing ... The desire to be veiled still possesses them. | I told ... you Shakespeare had a sister. ... is worthwhile" ["Moments of Being", Harcourt Brace, 1981, pp. 41-50 and 113-14]), "Professions for Women" and "Moments of Being and Non-Being" (extracts from "A Sketch of the Past": "-- I begin: the first memory. ... like the three old men." [Harvest, 1985, pp. 64-74]) in "The Norton Anthology of English Literature"
NY & London: W. W. Norton, 5th ed., 1986, Vol. II, pp. 1987-2019 (intro. pp. 1986-87) (1st pub'd 1962: q.v.)
FAULKNER, Peter (ed.)
“Modern Fiction" & "Mr. Bennett & Mrs. Brown” in “A Modernist Reader: Modernism in England 1910-1930”
London: B. T. Batsford, 1986, pp. 105-28
KELLIHER, Hilton, & Sally Brown
Autograph extract from “The Hours” [“Mrs. Dalloway”] & typescript extract from “A Sketch of the Past” in “English Literary Manuscripts”
London: British Library, 1995 (first published 1986), pp. 68 & 69
SOUTHAM, B. C. (ed.)
No. 26 "Her greatness as an artist" (From TLS 8/5/1913, p. 189-90: Kp4 C49.2) & No. 31 "The forerunner of Henry James and of Proust" (From "Jane Austen at Sixty": Kp4 C241) in "Jane Austen: The Critical Heritage 1870-1940, Volume 2"
London & NY: Routledge & Kegan Paul, 1987, pp. 240-45, 281-83, 301
BULLEN, J. B. (ed.)
Excerpt from letter, 24 December 1912 to Violet Dickinson in “Post-impressionists in England”
London: Routledge, 1988, p. 409
GORDON, Giles (ed.)
"Lappin and Lapinova" in "English Short Stories 1900 to the Present"
London: Dent (Everyman's Library: Everyman's Classic), 1988, pp. 135-42 (note on VW p. 364)
SUMMERFIELD, Geoffrey & Judith (eds)
“Stranger on a Train” in “Reading(s)” XBL*
Manchester, MO: McGraw-Hill Book Co., 1989
BLYTHE, Ronald (ed.)
"The Webbs for the weekend" ["Diary", 18 September 1918] in "The Penguin Book of Diaries"
London: Penguin Books, 1991, pp. 221-5 (first published by Viking, 1989)
SCOTT, Bonnie Kime (ed.)
"Modern Fiction", excerpts from "Mr. Bennett and Mrs. Brown", "The Journal of Mistress Joan Martyn", excerpts from "Byron and Mr. Briggs" [†KpC380], "Notes for Reading at Random" [†KpC383], "Anon" [†KpC384], and "The Reader" [†KpC385] in "The Gender of Modernism: A Critical Anthology"
Bloomington: Indiana University Press, 1995 (first published in 1990), pp. 628-41 & 658-701. See also
B20 and
[F21.2].
GOETZ, Philip W. (Editor in Chief)
"To the Lighthouse" in Vol. 60 of "Great Books of the Western World"
Chicago: Encyclopædia Britannica, 1990, pp. 1-105.
CAMERON, Deborah (ed.)
“Women and Fiction” in “The Feminist Critique of Language: A Reader”
London & NY: Routledge, 1990, pp. 33-40
COOKE, Judy (ed.)
"The Lighthouse" from "To the Lighthouse" in "The Minerva Collection of 20th-Century Women's Fiction" [title on pb wrapper] / "Passions & Reflections: A Collection of 20th-Century Women's Fiction" [title on title-page]
London: Quality Paperbacks Direct, 1991, Vol. 2, pp. 489-558; Biographical Note pp. 562-63
KEATING, Helane Levine, & Walter Levy (eds)
“The Legacy” in “Lives Through Literature: A Thematic Anthology” XBL*
NY: Macmillan, 1991
BLODGETT, H. (ed.)
Excerpts about Katherine Mansfield from VW's "Diary", Vol. II (26 & 31 May, 5 June, 25 August, 12 & 19 December 1920, 16 February, 3 May, 15 September 1921, 12 March 1922, 16 & 28 January, 6 March 1923, & 17 October 1924) in "'Capacious Hold-All': An Anthology of Englishwomen's Diary Writings"
Charlottesville & London: University Press of Virginia, 1992, pp. 146-56 (intro., p.146; notes, pp.156-57)
HUMM, Maggie (ed.)
Excerpts from "A Room of One's Own" ("But you may say ... outside of it, alien and critical." [Harcourt, Brace, 1981, pp. 3-97 (many excisions)]) & "Three Guineas" ("Obviously, then, it must be an experimental college ... And he shut her, not in Holloway or in a concentration camp, but in a tomb." [Hogarth Press, 1938, pp. 61-256 (large excisions)]) in "Feminisms: A Reader"
NY, London, [etc.]: Harvester Wheatsheaf, 1992 /
“Modern Feminisms: Political, Literary, Cultural”
NY: Columbia UP, 1992
pp. 23-6 & 27-9
CARABINE, Keith (ed.)
"A Disillusioned Romantic" (no. 79), "Joseph Conrad" (no. 87), "Mr. Conrad: A Conversation" (no. 104), "Mr. Conrad's Crisis" (no. 164) in "Joseph Conrad: Critical Assessments", Vols. 1 & 2
Robertsbridge, E. Sussex: Helm Information, 1992
pp. 392-94 (Kp4C197), 420-24 (Kp4C252), 526-29 (Kp4C239), 554-56 (Kp4C102)
AUSTEN, Jane
Essay in "Pride and Prejudice"
NY?: Oxford University Press (Running Press Book Publishers / Courage Literary Classics), 1992 XBL*
ROSENBAUM, S. P. (ed.)
Foreword to “The Common Reader”, “Mrs Dalloway in Bond Street”, “Julia Margaret Cameron”, “Memories of a Working Women’s Guild”, “Ernest Hemingway”, “Mr Bennett and Mrs Brown”, “Professions for Women”, “Street Haunting”, “Old Bloomsbury”, & “The Love of Reading"† in “A Bloomsbury Group Reader”
Oxford: Blackwell, 1993, pp. 3-4, 43-50, 81-8, 152-64, 202-9, 233-49, 274-9, 317-27, 356-72, & 415-18
FADERMAN, Lillian (ed.)
"Moments of Being: 'Slater's Pins Have No Points'" in "Chloe Plus Olivia: An Anthology of Lesbian Literature from the Seventeenth Century to the Present"
NY: Penguin, 1995, pp. 492-7 (1st published in NY by Viking Penguin, 1994 XBL*)
WICKENDEN, Dorothy (ed.)
"The Movies and Reality" in “The New Republic Reader: Eighty Years of Opinion and Debate”
NY: A New Republic Book/Basic Books (HarperCollins), 1994, pp. 37-40
DUNN, Jane (selector)
Short excerpts from many of VW's works in "Virginia Woolf: An Illustrated Anthology" (subtitle on dust-jacket only)
London: Aurum Press (Great Writers Series), 1994, pp. [3], 6-7, 8-13, 15-16, 18, 20, 22, 24-33, 35-38, 40, 42-46, 48, 50-51, [53], 54, [56]
KERMODE, Frank & Anita (eds)
Excerpts from Letter no. 3447, 1 October [1938] to Vanessa Bell in "The Oxford Book of Letters"
Oxford & NY: OUP, 1995, pp. 517-19
LEE, Hermione (ed.)
"Solid Objects" in "The Secret Self: A Century of Short Stories by Women"
London: Phoenix (Orion Publishing Group), 1995, pp. 40-44 (note on VW pp. 556-57)
GILES, Judy, & Tim Middleton (eds)
Excerpt from “Three Guineas” ("Let us then draw rapidly in outline the kind of society ... train themselves in peace before the threat of death inevitably makes reason powerless." [Hogarth Press, 1938], pp. 193-99) in “Writing Englishness, 1900-1950: An Introductory Sourcebook on National Identity”
London & NY: Routledge, 1995, pp. 115-18 (introduction, "Virginia Woolf, 'Her sex and class has very little to thank England for ...'", p. 114)
LEMON, Charles (ed.)
"Haworth, November 1904" in "Early Visitors to Haworth: From Ellen Nussey to Virginia Woolf"
Haworth: The Brontë Society, 1996, pp. 124-7
LOVRIC, Michelle (ed.)
Facsimile & transcript of letter, 4 July 1927 to V. Sackville-West in “Passionate Love Letters: An Anthology of Desire”
London: Weidenfeld & Nicolson, 1997, pp. [18] & [44]
"A Room of One's Own" in "Identity and Self-Respect"
Great Books Foundation (50th anniversary ser.), 1997 - XBL*
WINTEROWD, W. Ross & Geoffrey R.
"The Death of the Moth" in "The Critical Reader, Thinker, Writer"
Mountain View, CA: Mayfield Publishing Company, 2nd ed., 1997, pp. 156-8
BYATT, A. S. (ed.)
“Solid Objects” in “The Oxford Book of English Short Stories”
OUP, 1998, pp. 204-09
DEANE, Patrick (ed.)
Excerpt from “Three Guineas” ("But this, you will say, if it means anything ... result from those differences have placed within our reach." [Hogarth Press, 1938], pp. 192-206) in “History in our Hands: A Critical Anthology of Writings on Literature, Culture and Politics from the 1930s”
London: Leicester UP, 1998, pp. 265-70 (Deane's summary, introduction, & notes, pp. 264 & 270-1)
CERASANO, S. P., & Marion Wynne-Davis (eds)
“Woolf on Margaret Cavendish” ["Worse still, without an atom of dramatic power ... tones which we seem to have heard before." from “The Duchess of Newcastle” in "The Common Reader", Hogarth Press, 1986, pp. 75-6] & “Virginia Woolf on 'Judith Shakespeare'” ["Be that as it may, I could not help thinking ... where the omnibuses now stop outside the Elephant and Castle." (“A Room of One’s Own”, Harcourt, Brace, 1981, pp. 46-8)] in “Readings in Renaissance Women’s Drama: Criticism, History and Performance 1594-1998”
London & NY: Routledge, 1998, pp. 21 & 23-4
INGMAN, Heather (ed.)
"From 'A Sketch of the Past' (1939-40)" ("Until I was in the forties ... That brings back the feeling that everything had come to an end." ["Moments of Being" (Grafton, 1989), pp. 89-94]) in “Mothers and Daughters in the Twentieth Century: A Literary Anthology”
Edinburgh University Press, 1999, pp. 90-5 (biography & bibliography pp. 86-90)
TAYLOR, Brian H. (ed.)
From "How Should One Read a Book?" ("It is simple enough to say that since books have classes ... to make use of all that the novelist - the great artist - gives you." ["The Common Reader: Second Series", Hogarth Press, 1986, pp. 259-61]) & "Diary", [17 November 1934] ("A note: despair ... Lord knows the truth") in “Writing from Experience: From Louisa M. Alcott to Virginia Woolf”
London: Robert Hale, 2000, pp. 222-4
TAYLOR, Irene & Alan (eds)
Excerpts from "Diary" (1 January 1915, 3 January 1915, 5 January 1918, 15 January 1941, 21 January 1918, 23 January 1927, 26 January 1930, 12 February 1927, 15 February 1915, 8 March 1918, 13 March 1921, 14 March 1937, 20 March 1926, 27 March 1935, 28 March 1931, 9 April 1935, 12 April 1919, 18 April 1934, 20 April 1919, 15 May 1925, 26 May 1924, 7 June 1918, 23 July 1930, 25 July 1926, 15 August 1924, 16 August 1922, 26 August 1922, 6 September 1939, 7 September 1939, 7 September 1940, 13 September 1940, 21 September 1919, 29 September 1935, 20 October 1940, 5 November 1935, 11 November 1918, 4 December 1930, 7 December 1936) in "The Assassin's Cloak: An Anthology of the World's Greatest Diaries"
Edinburgh: Canongate, 2000, passim
